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What constitutes a piece being a performance? What separates a concert piece from an installation? What defines a piece of sound art as performative?

WHY ARE WE SHOWCASING A NEED FOR PERFORMERS WHEN WE ALWAYS FIDDLE WITH OUR PHONES AND STUFF? COMPUTERS CAN DO EVERYTHING FOR US..!!!...????...!!!!!

"Soil" is a concert piece for a computer, performing a pre-composed patch by producing feedback with its built-in microphone, and then dispersing it into eight speakers in surround disposition via an automated MAX patch. This work attempts to explore a place where the products, which nature yields, cannot disintegrate. After a certain amount of interference, they can yield only more synthetic product. Synthetic product can only be recycled.

Cherish Earth. Preserve our nature.

credits

from a trashed landscape, track released November 7, 2016
computer - feedback, automated MAX/MSP processing

Live recording by James Praznik at New Music Brandeis BEAMS Half-Marathon. 11/04/2016 Brandeis University, Slosberg Recital Hall.

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Gleb Kanasevich Boston, Massachusetts

Contemporary music, classical, improvisations, noise, drone and other shenanigans.

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